By Grace Slaven, visual artist and PhD candidate To transform takes metamorphosis. It cannot be learnt, only experienced . Kelsey Ashe...

Essay by Sandra Harben; Nyoongar yorga and traditional owner of the Whadjuk region & Dr. Kelsey Ashe Published 2022 CROSSINGS BILYA BIDI;...

Exhibition duration from 1st February to 30th March at ECU Galleries; Spectrum Project Space Curated by Dr. Harrison See with support...

Sandra Harben, Kelsey Ashe, 2022. 'Wam Wardanup doyntj doyntj koorliny' (Strangers on the Shore going along together). Large Scale Screen...

This article appeared in The Debutante: Feminist Surrealist Odysseys (Issue 02) in October 2020. Based in Edinburgh, Scotland UK. Image:...

'Something is happening in Australian Art today. We are witnessing the resurgence of ideas that took root centuries ago – a return to...

FROM THE ARTIST - REGARDING THE FILM - 'PEARLS AND BLACKBIRDS' I wish to acknowledge the Traditional Owners of country throughout...

This article appeared in ARTISTS PROFILE magazine: https://www.artistprofile.com.au/kelsey-ashe/ Australian artist Kelsey Ashe’s new film...

Imaginary Aesthetic Territories – My Antipodean Floating World (An excerpt from a chapter in my Phd where I discuss my approach to...

[Excerpt – Imaginary Aesthetic Territories, 2018. PhD Thesis] I examine the source of my cross-cultural fascination, namely, traditional...